Primitive Art Essay

The class discussions of primitive art by Franz Boas and the readings that we as a class have done was about an the artistic values of primitive people on how they do different art, baskets, rugs, totem poles , sculptures and other works of art that are primitive. The materials took symmetrical designs to its finest point and the work was done with a high degree of human equilibrium. Arts of primitive people have a close relationship between morals and sufficiency of artistic development. The California Indians produce and practice these examples of form and texture. The women are the most artistic and creative among the California Indians while the men have skills with wood work. The Pueblo Indians of southern United States have villages that have the most intricate works of artistic designs on their potteries. The women in these villages are the most productive artists among the Pueblos. The men in these villages are devoted mostly to ceremonies and don’t really have knowledge in artistic expressions. In some households, slovenly work are hard to find in there works of art. The control and technique are expressively correlated in rawhide boxes that are made and practiced by the Sauk and Fox Indians of Oklahoma. The raw hide boxes have perfect symmetrical designs and folded in places to make works of art precise. Other examples are the leggings made by natives of British Columbia which bears decorations and unit. The fringes have long pieces of curried skin cut in narrow strips and decorated in rhythmic order. Other cases are twilled weavings which have excellent form and are perfectly even on the surface. These objects are considered works of art and finished in some ways that their forms have artistic value. Some other characteristics of decorative art have distinctive fields which can also be compared to a pottery. Pouches of American Indians have flaps that are treated as separate units. In moccasins, the upper part form a field separate from the rim and in clothing the sleeves, collars, pockets are considered separate units. These are some examples of art and that the fundamental, esthetic, formal interest is essential. Art in simple form are not really expressive of purposive action therefore they are based upon reaction to form that develop through technique. When art is created, people may recognize and study the impulse and the finished product teaches the conceited efforts to have a major skill in a difficult task. To communicate an idea graphically cannot be claimed as art. The tonal beauty and rhythmic structures of form is works of art. The combination of form and its content gives representative art an emotional value that is entirely different from formal esthetic effect. In primitive, symbolic representation the permanent traits appear the same way and other forms of symbolic representation are also utilized. Representative art could be and generally is an influential technical form, but in many cases it is not easily recognized. The art of primitive people have two components that are eminent in which one is based on form alone and the other is filled with meaning. The significance creates an enhanced esthetic value which takes into account the associative connections of art that is made or the artistic act. The forms are expressive that they must be representative, not necessarily representative of perceptible objects, but more or less theoretical ideas. The tribal arts all over the world have ornaments that appear purely formal and are associated with meanings and stories. Symbolism in art has characteristic and traits that associate with the apex and form of content in primitive art. A general similarity of form exists between the purely conventional and the realistic forms, in which the designs contain realistic images which are geometrical and move aimlessly in zigzag bands. Symbols are put on rugs, baskets, potteries, moccasins, leggings and drums. Symbols have geographical meaning and it relates to the universe as such. Symbols could also tell stories of due process of natives in their livelihoods and cultures. In some cases the symbols have to associate with forms that could be used in rituals and these forms of symbols would be blessed and therefore giving a certain person protection. Indians of North America use straight lines and rectangles that appear in diverse combinations and one of the typical forms is the isosceles triangle with enclosed rectangles. These forms are mostly found on the Great Plains Indians and among the pueblo Indians. The Symmetry, rhythm, and affirmation or attribution of form which doesn’t describe an absolute style, for they underlie all forms of decorative art. Many formal elements are integral parts of every art style and these give it its most specific character. The examples of the polished stone axes, chipped arrow or lance heads, iron spear heads, utensils and anything that has to do with the daily uses of people. These forms we recognize as imaginations of works of art that is done in perfect technique. The differences in style are not the rules, but are more commonly the most highly developed art likely to impose on style of different industries that is associated with the mat weaving and basketry that have been influential in developing new forms and powerful an dignified in other fields. There are different styles with different techniques With Natives from the tip of South America to far edges of North America. Some have pictorial designs, geometrical designs and the pottery paintings have different styles of patterns. The primitive art around the hemisphere could have in common the esthetic pleasures felt by members of society. The works of art maybe diverse in its beauty, yet the general characters of the enjoyment of beauty are forever sound in society. In art we should let our imaginations soar to the point of oblivion and through this we can hear the songs of artistic dances. Admire and take in the beauty of decorative and ornamental art, work, paintings or sculptures of natives across America and around the world. The works of art could be appealed by the different forms of making art through the eyes of a person’s imagination and give them esthetic values. Even a person in the very middle of conflict or poverty could create a work of art that gives esthetic pleasure. To these people the innovations of bountiful nature and inventions has granted them freedom from care and through this they devout much of their energy to the creation of works of beauty. Art can be made from a sense of smell, taste and touch and with every rhythmical movement of the body or objects that appeal to the eyes. The tonal speeches which please the ears can produce artistic effects along with the muscular variations of the body could prove to be art. These are the esthetic values of and artistic mind and Mother Nature also plays a role in works of art.